This showcase reveals the transformation from flat, ungraded footage to cinematic color. My style blends a vintage aesthetic with vibrant, eye-pleasing tones. Bringing out warmth, depth, and contrast to create visuals that feel timeless yet alive.
Final Look
D-Log
Perth at Dusk
Balanced warm mid-tones with cooler blue shadows to enhance contrast, depth, and vibrancy — creating a cinematic balance between warmth and clarity.”
Camera: DJI Mavic 4 Pro | Lens: 28mm
Software: DaVinci Resolve Studio | Edited in 6K, Graded from D-Log to Rec.709 for natural colors | Notes: Cineon LUTs, HDR workflow
Final Look
S-Log3
Beyond the Blue Hour
Shot during the Blue Hour, this grade emphasizes cool blue highlights in the background, contrasted with warm natural skin tones in the subject, creating a striking balance that makes the hand pop against the scene.
Shot on Sony ZV-E1 | Lens: Blazar Remus 50mm (Anamorphic)
Software: DaVinci Resolve Studio | Edited in 4K, Graded from S-Log3 Gamut3.Cine to Rec.709 for natural colors | Notes: Cineon LUTs, HDR workflow
Final Look
S-Log3
Love In Full Colour
Emphasis on warm highlights and natural skin tones, with deep cool shadows for dynamic contrast and a polished, cinematic feel.
Shot on Sony A7SIII | Lens: Blazar Remus 33mm (Anamorphic)
Software: DaVinci Resolve Studio | Edited in 4K, Graded from S-Log3 Gamut3.Cine to Rec.709 for natural colors | Notes: Cineon LUTs, HDR workflow
